Time for the final bout in this round of six. Once again the voting will remain
open for two days, or until Sunday at midnight. Monday morning we'll launch straight into the quarter-final round between the four remaining WRiTER's. After that round and we've narrowed the twelve down to two, both WRiTER's will be given one week to submit a new 500 word writing sample.
But let's not get ahead of ourselves. Please read the submission from each WRiTER carefully to determine how it
stacks up against their new opponent. Leave
your vote for the sample that resonates with you the most. Don’t forget to offer some opinions if you
have time. Anyone reading this can vote,
so blog/tweet/facebook/text/smoke signal everyone you know and get them to
participate as well. Good luck to both WRiTER’s!
And now…..
Passing through the ropes and making their way to the far corner is....ART GALLERY
I've been stealing glances at him for the last two
weeks. Always reclined back in his chair
with his elbow resting on the table, a cigarette perched between his finger and
his thumb. Most of us are just so stiff and formal in here, especially me with
my hands crossed demurely over my velvet coat and my hair pinned up properly
under my hat as I sit on the terrace with my baby sister. His aspect is much
more appealing. I wish I could lounge like that in a rumpled white T-shirt and
rowing pants, smoking a cigarette and relaxing with friends.
We're both part of the permanent collection here but have
frequently been on loan to other museums, so we've rarely hung for long in the
same gallery. I learned from the docent who leads tours through the
Impressionist wing that he's a Renoir, like me, so I always figured he was just
the same old, same old. But now that I look—really look—I see we are quite
distinct.
It may have been his suave nonchalance that drew me in, but
it's his entrancing, cerulean eyes that keep me looking back. I know he's
comprised of the same sweeping blurs of brushstrokes as I am, but from the
distance between our opposite walls, he's a defined, striking figure, and his
sang-froid eyes are as beautiful as anything I've ever seen.
I thought I'd been discreet in my glances, but one day he
caught me. And winked. I’d flicked my eyes away, pretending to examine the long
boat in his background, but when my gaze drifted back a few minutes later he
was unabashedly staring at me. He’d smirked and tapped out his ashes as he
returned his attention to his friends, but things have been heating up ever
since.
More often than not, when I direct my gaze to him, he's
already looking at me, one corner of his mouth turned up in a half smile that I
interpret in oh-so-many delicious ways. That’s when the canvas under me starts
to warm, and the heat must be radiating to my baby sister because she's been
shooting me odd looks. Something's got to give or soon I'll be nothing but a
myriad of melted oils on the floor beneath my frame.
Fortunately, something is going to give. Yesterday his eyes
lingered on mine for a particularly lusty moment before pointing with a slight
nod of his head toward Monet’s haystacks at the far end of the gallery. The lumps of dried wheat are bulky enough for
two figures to hide behind. Unnoticed. Today he repeated the motion and wrapped
his enticing lips around a silent "Tonight."
It's not unprecedented for images to leave their paintings for a rendezvous—from what I've heard through the paintvine all manner of things go on in the modern art gallery—but amongst us staid, Impressionist pieces, it's fairly uncommon. I've never done it, nor have I dreamed of doing it. Until him.
And their opponent in the near corner....ANNE SHIRLEY
They say that when you're about to die, your whole life
flashes before your eyes.
Turns out it's true.
I sprawl in a pool of my own blood. The sky comes in and out
of focus, and it's an unnatural color, like a bruised plum. Bombs explode to my
right, spewing smoke tongues that smother the earth. Two men hover over me -
Lieutenant Daniels and that baby-faced soldier who cried the night we got
deported. I think they're trying to staunch the oozing wound on my thigh, but
I'm not too sure.
My mind is going. Lying there on the battlefield, all I can
see is Molly. Molly wearing her Dodgers cap in the kitchen, making breakfast,
telling the dog to get down, stay there, good boy. Peter! Emily! Hurry up or
you'll be late!
Wagging tail. The crisp smell of cinnamon French toast.
Backpacks zipping. Sneakers skidding because the bus is pulling around the
corner. Shit, I'm going to miss it! YOUNG MAN, don't ever let me hear you say
that word again! Giggles. Peter said a bad word, Mom.
Little arms thrown around my neck. I love you, Daddy. I love
you too, sweetheart.
The baby-faced soldier's voice slices through my delirium.
"He just call me sweetheart?"
"Don't flatter yourself, son. He's feverish. Hand me
that bandage."
"Yes, sir."
Lieutenant Daniels' ruddy face appears. "Jackson.
You're gonna be all right, you hear me?"
A church decorated in red, white, and blue. My father lying
there in his coffin. I kiss his cold forehead, the way he used to kiss mine
when I was sick. I love you, Dad. My turn to fight for peace. I swear I'll make
you proud.
San Francisco Bay, holding hands with Molly, heart racing
because I'm about to ask her to marry me.
The doctor's office with Pat, my frat brother, my football
buddy. The cancer will take me over, Jackson. No, it won't, I won't let it.
You're gonna be just fine, Pat.
"He's going, going, gone," the young solider
mutters.
"Don't count him out yet," Lieutenant Daniels
says.
As if on cue, I sit up. Everything, everyone I love. I don't
know if I'll see any of them again. But there's still breath in my body. Where
there's breath, there's life. And where there's life, there's fight.
"Jackson. Get down, we need to clean that wound!"
"Where are you going?!"
I crawl out of our hideout. Dragging my bad leg, I sling my
gun over one shoulder.
There's a small army of them, tongues lolling from their
lifeless faces. Green skin curdled like bad cheese. Slowly, they lurch toward
me with sickening hunger, moving around the mutilated bodies of my fallen
comrades.
I imagine them bending over Molly, the kids cowering in the
doorway.
I load my gun.
They want my brains. I want them dead. Even deader than they
already are.
"YOU'RE GOING DOWN, BITCHES!" I scream.
"Jackson, no!" Lieutenant Daniels howls.





